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Friday, December 16, 2016











Mark Rothko: Dark Palette @Pace Gallery

http://www.pacegallery.com/exhibitions/12835/dark-palette




 510 W. 25th Street
New York, NY 10022, USA 
Friday, November 4, 2016–Saturday, January 7, 2017
Just when you thought that "if you've seen one Rothko, you've seen them all", this blockbuster exhibit takes your breath away.I highly recommend it as it contains a treasure trove of master-pieces on loan from many esteemed museums.

Mark Rothko
Untitled (Rust, Blacks on Plum)
1962
oil on canvas 60" x 57" (152.4 cm x 144.8 cm) No. 07446 Format of original photography: Transparency Photographer: Hickey Robertson
I learn something new every day. Did you know that Rothko was "born Markus Yakovlevich Rotkovich on September 25, 1903 in Daugavpils, Lativia and his family emigrated to New York in 1913. He studied for a year at Yale University on a scholarship, ultimately dropping out and returning to New York where he enrolled at the Parsons New School for Design and was taught by Arshile Gorky, who had a lasting influence on the young artist.  —from Artnet http://www.artnet.com/artists/mark-rothko/ 

Arshille Gorky
Agony
Oil on canvas
40 x 50 1/2 in.  (101.6 x128.7 cm)
Museum of Modern Art, New York. A Conger Goodyear Fund (88.1950)
Photo © The Museum of Modern Art
Licensed by SCALA / Art Resource, N.Y.

Did you know that Gorky was "born Vostanik Manoug Adoian on April 15, 1904 in Khorgom, Turkish Armenia, he and his family were victims of the Armenian Genocide, with a young Gorky a witness of his mother’s death at the hands of Turkish militants. He escaped by fleeing first to Russia and eventually to the United States in 1920, changing his name and identity in the process."
—from Artnet http://www.artnet.com/artists/arshile-gorky/

Posted by Al Doyle at 10:07 PM No comments:
Zaha Hadid @Leila Heller


ZAHA HADID
December 8, 2016 - January 21, 2017

568 West 25th Street New York, NY 10001 USA
www.leilahellergallery.com

Known for architectural wonders world-wide, Zaha Hadad also designed furniture, vases, paintings and jewelry.
This current exhibit in Chelsea features an impeccably finished suite of furniture and vases in a wide range of materials. The work is shown to great effect: the biomorrphic shapes and luscious surfaces are accentuated by the placement and arrangement within the pristine gallery setting.

Chelsea will soon be home to a Zaha Hadid Architects (ZHA) building at 520 West 28th Street, adjacent to the Highline which was just voted "building of the year".
—Read more about this at goo.gl/R6h5fh
Volu Dining Furniture, 2015
American Walnut
Table: D. 70.5 in / 180 cm
Bench: 18 x 73 x 18 in / 45.7 x 185.4 x 45.7 cm
Courtesy of Zaha Hadid Design, London
Courtesy of Leila Heller Gallery, New York

This Dining furniture set is from Zaha Hadad's later "semi-liquid phase" and " is conceived ... with curved components and is shaped further by typological, functional and ergonomic considerations."
— from the Press Release, Leila Heller Gallery

Zaha Hadid
Kloris, 2008
Fiberglass finish: Chrome Woosh Lacquer
10 petals:
200.4 x 255.6 in /509 x 649 cm
Courtesy of Zaha Hadid Design, London

Courtesy of Leila Heller Gallery, New York



Posted by Al Doyle at 10:22 AM No comments:

Thursday, December 15, 2016

Andrea Grützner @Julie Saul Gallery in Chelsea

The current exhibit of photographs by Andrea Grützner titled Erbgericht (Guesthouse) is a standout. The photos (using analog processes) have the presence and visual weight of monumental paintings and are firmly in the tradition of classic abstraction of the both the De Stijl and Bauhaus styles.


Andrea Grützner
Untitled 8, 2014
pigment print
59 x 39 1/2”

edition of 5
© Andrea Grützner, Courtesy Julie Saul Gallery, New York

The focus on shadows and the asymmetrical composition place this image in a lineage that harks back to László Moholy-Nagy and André Kertész.

Here is a quote from an excellent blog entry on Photography and Abstraction: "European photographers began to produce work nourished by cubism, abstraction and the Bauhaus aesthetic pioneered by Moholy-Nagy and El Lissitsky.  Members of the New Vision Group began to produce innovative compositions. Within the French avant-garde, photographers such as André Kertész and Florence Henri began to treat form in new ways.  Kertész produced work like Shadow of the Eiffel Tower, 1929. "
goo.gl/NNgirH
Andrea Grützner
Untitled 6, 2014
pigment print
59 x 39 1/2”
edition of 5
© Andrea Grützner, Courtesy Julie Saul Gallery, New York

Henri would seek out the abstract within the concrete in work like Abstract Composition (handrail) 1930. Henri would also use mirrors to manipulate composition on form as in her work. One interesting example is Window, 1928-29.






Julie Saul Gallery

535 West 22 Street, 6 floor
New York, NY 10011
212 627-2410
212 627-2411 fax
Andrea Grützner
Erbgericht (Guesthouse)
October 29 - December 23, 2016
Posted by Al Doyle at 11:27 AM No comments:

Wednesday, November 23, 2016

"Picasso's Picassos" @Gagosian on Madison Avenue delights!

Yet another terrific intensely focused Picasso exhibit at the Gagosian Gallery: "Picasso's Picassos"
Curated by Marie-Thérèse's granddaughter, the art historian Diana Widmaier, these works are selected from the the collection of Maya Ruiz-Picasso. Maya is the daughter of Marie-Thérèse and Picasso and she was the subject of several important paintings.

Marie-Thérèse avec une guirlande, 1937
Oil and pencil on canvas
24 × 18 1/8 inches (61 × 46 cm)
© 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. Photo by Béatrice Hatala. Courtesy Gagosian.

This "most Picasso-esque" painting was also included in the "Picasso and Marie-Thérèse" exhibit with good reason: it is a powerful example of painterly handling and surrealist distortion.

Maya à la poupée et au cheval, 1938,
Oil on canvas
28 3/4 × 23 5/8 inches (73 × 60 cm)
© 2016 Estate of Pablo Picasso / Artists Rights Society. (ARS), New York.Photo by Béatrice Hatala. Courtesy Gagosian.

One of two "Maya à la poupée" paintings from 1938, this painting was also included in the "Picasso and Marie-Thérèse" exhibit which also paired it with the portrait of her mother to great effect.

Marie-Thérèse accoudée, 1939
Oil on canvas
25 5/8 × 18 1/8 inches (65 × 46 cm)
© 2016 Estate of Pablo Picasso / Artists Rights Society. (ARS), New York.
Photo by Béatrice Hatala. Courtesy Gagosian.

I have to confess that this painting made the trip uptown so worthwhile: it must be seen in person as the reproduction merely hints at the thickly textured paint handling that gives the painting a tactile and almost haptic palpability.

An addendum to this exhibit is held at the Gagosian Shop which is hosting a "Picasso Takeover". The Shop (Exit through the Giftshop?) features a range of "all things Picasso" including etchings, ceramics, tapestries, posters along with rare books and magazines. As a Picasso-fanatic, I was only to glad to be immersed in the plethora of offerings.

We New Yorkers have been treated to several Picasso exhibits presented at Gagosian and curated by John Richardson (the estimable Picasso biographer) over the last several years. Here are some links to previous Picasso exhibitions at Gagosian in NYC:

"Mosqueteros” (2009)
https://www.gagosian.com/exhibitions/march-26-2009--pablo-picasso
This exhibit from 2009 featured a treasure-trove of late works that forced many to re-evaluate this period in Picasso's oeuvre. As I recall, this was the best painting exhibit in NYC that year; the work looked fresh, current and very relevant nearly forty years after Picasso's death.

“Picasso and Marie-Thérèse: L’amour fou” 2011
https://www.gagosian.com/exhibitions/april-14-2011--picasso-and-marie-thrse
This exhibit from 2011 included paintings, drawings, sculptures, and prints "inspired by one of Picasso's most ideal models and enduring passions".

“Picasso and Françoise Gilot: Paris–Vallauris 1943–1953”
https://www.gagosian.com/exhibitions/pablo-picasso--may-01-2012
This exhibit from 2012 paired paintings by Picasso with those of his partner of nearly ten years.

"Picasso and the Camera"
https://www.gagosian.com/exhibitions/picasso--the-camera--october-28-2014
This exhibit from 2014-early 2015 provided "an unprecedented survey of his unique relationship with the camera".


Posted by Al Doyle at 9:01 PM No comments:

Tuesday, November 22, 2016

‘Calder and Picasso’ @Almine Rech Gallery / Picasso's Picassos @Gagosian uptown

Just got back from two terrific exhibits that feature Picasso: one at the new Almine Rech Gallery and one at the Gagosian Gallery, both on the upper east side.

'Calder and Picasso' @Almine Rech offers a rare viewing of works from the private family collections; with startling revelations by way of the proximal juxtapositions of works by each artist.

‘Calder and Picasso’Almine Rech Gallery

http://www.alminerech.com/exhibitions/3627-calder-and-picasso
39 East 78th Street
Through Dec. 17

‘Picasso's Picassos’ offers a fascination range of works from the early 1930's through the early 1970's (Picasso died in 1973).


"Picasso's Picassos: A Selection from the Collection of Maya Ruiz-Picasso"
Gagosian Gallery

http://www.gagosian.com/exhibitions/picassos-picassos--november-10-2016
976 Madison Avenue 
Through Dec. 17

NY Times Review: Calder and Picasso in Parallel, and as They Diverge By Will Heinrich Nov. 10, 2016
http://www.nytimes.com/2016/11/11/arts/design/calder-and-picasso-in-parallel-and-as-they-diverge.html?_r=0
"Picasso's Picassos" Unpacks Paintings form the Family Vault By Robin Pogrebin Nov. 10, 2016
goo.gl/MzyJRT

  • Save
Posted by Al Doyle at 8:37 PM No comments:

Picasso exhibits uptown NYC


Alexander Calder / Constellation with Diabolo. 1943. Wood, wire, and paint. 24 1/4" x 18 1/4" x 16".
© 2016 Calder Foundation, New York / Artists Rights Society (ARS), New York.  
Pablo Picasso / Femme. June 8, 1946. Oil on plywood. 51 1/8" x 38 1/8".
Zervos XIV-175 © 2016 Succession Picasso / Artists Rights Society (ARS), New York.                                                 

Two Picasso exhibits on Madison Avenue that I am planing to see:
"Picasso's Picassos" - November 10 - December 17, 2016 - Gagosian http://www.gagosian.com/exhibitions/picassos-picassos--november-10-2016
and "Calder and Picasso"
http://www.alminerech.com/exhibitions/3627-calder-and-picasso


Posted by Al Doyle at 8:35 AM No comments:

Saturday, January 11, 2014

MoMA Expansion Involves Demolishing Folk Art Museum

The 54th Street entrance to the Sculpture Garden @MoMA will be free and open to the public.


I applaud the work of DS+R in their efforts to open up the facade of MoMA; making the 54th Street approach accessible and open to the public is a great gesture to those who balk at the exorbitant admission fees. 

 

I was not a fan of the American Folk Art Museum; the gallery spaces felt cramped, awkward and dark. The experience did not enhance the works but rather detracted from viewing them. The heavy and overwrought materials ran counter to the 'white cube' aesthetic that for better or worse at least provides a neutral setting for the art on view.

 

I still lament the the DS+R plans for EYEBEAM in Chelsea were never realized.


More about the ill-fated EYEBEAM project here:
http://www.arcspace.com/features/diller-scofidio--renfro/eyebeam/


Architizer Article Here:
New Diller Scofidio + Renfro Plans For MoMA Finalize Folk Art Museum Demolition
http://goo.gl/beFfz4

NY Times Article Here:
 Voices Rise in Objection to MoMA Decision to Tear Down Folk Art Building
http://goo.gl/uqLNLr
Posted by Al Doyle at 11:16 AM No comments:

Monday, January 06, 2014

NYC Games: http://nycgames.blogspot.com/


NYC Games
http://nycgames.blogspot.com/

Posted by Al Doyle at 11:59 PM No comments:

Museum of the Moving Image: 25 Must-Play Video Games



EXHIBITION
Indie Essentials: 25 Must-Play Video Games


December 14, 2013–March 2, 2014

                                             

http://www.movingimage.us/exhibitions/2013/12/14/detail/indie-essentials-25-must-play-video-games/
IndieCade International Festival of Independent Games and Museum of the Moving Image present a playable exhibition of more than two dozen games that represent the breadth and depth of the “indie” video game scene. The designers and developers of these games, individuals or small teams independent of large studios and publishers, take daring creative risks to explore new forms and methods of play. The exhibition features recent cutting-edge titles, including the IndieCade 2013 award winners, alongside a selection of games that have had great impact on game design and culture in the last decade. Independent games are a fountain of innovation and experimentation, pushing games forward as one of today’s most dynamic and important cultural forms. 


GAMES

Alien Hominid. 2002, PS2
The Behemoth (San Diego, USA)
 »
Braid. 2008, PC
Jonathan Blow (San Francisco, CA, USA)
 »
Canabalt. 2009, iOS
Adam Saltsman and Daniel Baranowsky (Austin, TX, USA)
 »
Dear Esther. 2007/2012, PC
The Chinese Room (Brighton, UK)
 »
Diner Dash. 2004, PC
Game Lab, published by Playfirst (New York City, NY, USA)
 »
Everyday Shooter. 2007, PS3
Jonathan Mak (Queasy Games) (Toronto, Canada)
 »
Flower. 2009, PS3
thatgamecompany (Santa Monica, CA, USA)
 »
Gone Home. 2013, PC
The Fullbright Company (Portland, Oregon, USA)
 »
Kentucky Route Zero Act I and II. 2013–, PC
Cardboard Computer (Chicago, IL, USA)
 »
Killer Queen Arcade. 2012, arcade
Joshua DeBonis and Nikita Mikros (New York City, NY, USA)
 »
Machinarium. 2009, PC
Amanita Design (Brno, Czech Republic)
 »
Minecraft. 2011, PC
Mojang (Stockholm, Sweden)
 »
N. 2004, PC
Metanet Software (Toronto, Canada)
 »
Passage. 2007, PC
Jason Rohrer (Potsdam, NY, USA)
 »
The Path. 2009, PC
Tale of Tales (Ghent, Belgium)
 »
Porpentine's Twine Compilation. 2012–2013, PC
Porpentine (Oakland, NJ, USA) 
»
Quadrilateral Cowboy. Upcoming, 2014, PC
Blendo Games (Los Angeles, CA, USA)
 »
QWOP. 2008, PC
Bennett Foddy (Oxford, UK)
 »
SlashDash. 2013, PC
Nevernaut Games (New York City, NY, USA)
 »
Spaceteam. 2012, iOS
Henry Smith (Montreal, Canada)
 »
Spelunky. 2009, 2013, PC
Mossmouth (San Francisco, CA, USA)
 »
Spin the Bottle: Bumpie's Party. 2013, WiiU
KnapNok Games & Redgrim (Copenhagen, Denmark)
 »
Today I Die. 2009, PC
Daniel Benmergui (Buenos Aires, Argentina)
 »
TowerFall Ascension. 2013, PC
Matt Thorson (Vancouver, Canada)
 »
World of Goo. 2008/2011, iOS
2D Boy (San Francisco, CA, USA)
 »
Dog Eat Dog. 2013
Liwanag Press (Oakland, CA, USA)
 »
Posted by Al Doyle at 11:51 PM No comments:
Labels: Diner Dash, Game Design, Game Dev, Game Lab, Indie Game Design. Floser Video Game

Saturday, July 09, 2011

Leonardo da Vinci Painting Re-Discovered in NYC!


The image on the right Salvator Mundi c. 1500 was just confirmed as an authentic Leonado da Vinci original painting of Christ as Savior of the World. The image on the left is an unfinished painting with the same title and subject by Leonardo's contemporary, Albrecht Durer from the collection of the Metropolitan Museum in New York City.

I include both images here as an interesting art history compare/contrast exercise: is it possible the Durer was aware of the da Vinci painting and this is his reaction to the Florentine master's work? I'd like to think so.

For more information on each painting see the links below:
Da Vinci Discovered: Painting Gains Attribution After Careful Scholarship and Conservation
http://www.artdaily.org/index.asp?int_sec=2&int_new=48949

Leonardo da Vinci (1452-1519), Salvator Mundi, c. 1500 Oil on walnut panel, 25 13/16 X 17 7/8 inches (65.6 X 45.4 cm) © 2011 Salvator Mundi llc. Photo: Robert Simon, Tim Nighswander.

"A lost painting by Leonardo da Vinci has been identified in an American collection and will be exhibited for the first time this November. Titled Salvator Mundi (Savior of the World) and dating around 1500, the newly discovered masterpiece depicts a half-length figure of Christ facing frontally, holding a crystal orb in his left hand as he raises his right in blessing."

Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
http://www.metmuseum.org/toah/works-of-art/32.100.64
Salvator Mundi
Albrecht Dürer (German, 1471–1528)
Oil on wood

22 7/8 x 18 1/2 in. (58.1 x 47 cm)
The Friedsam Collection, Bequest of Michael Friedsam, 1931 (32.100.64)

Source: Albrecht Dürer: Salvator Mundi (32.100.64) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

"Devotional images of Christ as Salvator Mundi, or Savior of the World, were especially popular in Northern Europe. Christ raises his right hand in blessing and in his left holds an orb representing the earth. Dürer probably began this painting shortly before he departed for Italy in 1505, but completed only the drapery. His meticulous preparatory drawing on the panel is visible in the unfinished portions of Christ's face and hands."

Source: Albrecht Dürer: Salvator Mundi (32.100.64) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Posted by Al Doyle at 11:07 AM 4 comments:
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What to see in NYC: A selective guide to the Arts, Museums, Galleries, New Media, Animation, Painting, Sculpture, Prints, Graphics, Architecture and Design.

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NYC Arts

What to see in NYC: A selective guide to the Arts, Museums, Galleries, New Media, Animation, Painting, Sculpture, Prints, Graphics, Architecture and Design.

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